Which capulet servant fought with abraham




















I hate the word As I hate hell, all Montagues, and thee. Have at thee, coward! But Tybalt, resident Capulet mean-guy, dashes in and says something like, "I'm going to get medieval on your…personage. Beat them down! Down with the Capulets! Down with the Montagues! Old Montague is come And flourishes his blade in spite of me.

Adding fuel to the fire, the remaining members of each of the families come out to join the fight, or "fray," as they called it back then. And the old dudes won't be deterred, even when Capulet's wife tells him a crutch would be more useful to him than a sword.

If ever you disturb our streets again, Your lives shall pay the forfeit of the peace. For this time all the rest depart away. Once more, on pain of death, all men depart. Like any good schoolyard brawl, some authority figure shows up and puts an end to the fun. In this case, it is the Prince of Verona. And he's m-a-d.

Apparently, this is the third time a full-scale riot has broken out because of the Capulet-Montague feud. The Prince orders everyone to cease and desist. Except it takes him a lot longer to say it, and he adds that anyone breaking his no-fighting rule will be put to death. Speak, nephew, were you by when it began? I drew to part them. In the instant came The fiery Tybalt with his sword prepared, Which, as he breathed defiance to my ears, He swung about his head and cut the winds, Who, nothing hurt withal, hissed him in scorn.

While we were interchanging thrusts and blows Came more and more and fought on part and part, Till the Prince came, who parted either part.

Saw you him today? Right glad I am he was not at this fray. The Prince leaves, taking Capulet with him for a talking to. Montague has been ordered to visit the Prince for a knuckle-rapping later that day. BENVOLIO Madam, an hour before the worshiped sun Peered forth the golden window of the east, A troubled mind drove me to walk abroad, Where underneath the grove of sycamore That westward rooteth from this city side, So early walking did I see your son.

I, measuring his affections by my own Which then most sought where most might not be found, Being one too many by my weary self , Pursued my humor, not pursuing his, And gladly shunned who gladly fled from me. Romeo, we find out, has been moping around in a "grove of sycamore," which, by the way, is Shakespeare's way of hinting that Romeo is lovesick or "sick amour. Not only that, says Benvolio, but Romeo never wants to hang out anymore. Black and portentous must this humor prove, Unless good counsel may the cause remove.

Could we but learn from whence his sorrows grow, We would as willingly give cure as know. Montague chimes in, complaining that all Romeo ever does when he's not skulking around in sycamore groves is lock himself up in his dark bedroom.

They've tried to figure out what's going on with him, but Romeo won't talk. Yep, sounds like a lovesick teenager to us. So please you, step aside. Benvolio, like any good friend, decides to spy for Romeo's parents.

When he sees Romeo coming, he tells them to skedaddle. He'll find out what's got Romeo so down and let them know. Was that my father that went hence so fast?

Romeo wanders in and willingly tells Benvolio that he's in love with a girl who doesn't love him back. Where shall we dine? What fray was here? Yet tell me not, for I have heard it all. O heavy lightness, serious vanity, Misshapen chaos of well-seeming forms, Feather of lead, bright smoke, cold fire, sick health, Still-waking sleep that is not what it is!

This love feel I, that feel no love in this. Therefore, if thou art moved, thou runn'st away. A dog of that house shall move me to stand. I will. That shows thee a weak slave , for the weakest goes. True, and therefore women, being the weaker vessels,.

Therefore I will push. Montague's men from the wall, and thrust his maids. The quarrel is between our masters and us ,. When I. The heads of the maids? Ay, the heads of the maids, or their maiden-heads. Take it in what sense thou wilt.

They must take it in sense that feel it. Me they shall feel while I am able to stand ; and. If thou hadst , thou. Here comes. My naked weapon is out. Quarrel, I will back thee. Turn thy back and run? Fear me not. No, marry ; I fear thee! Let us take the law of our sides; let them begin. I will frown as I pass by, and let them take it as.

Nay , as they dare. I will bite my thumb at them,. Sampson bites his thumb at them. Do you bite your thumb at us, sir? I do bite my thumb, sir. No, sir. I do not bite my thumb at you, sir. But I. Do you quarrel, sir? Quarrel sir! If you do, sir, I am for you. I serve as good a man. No better? Well, sir. Say 'better. Yes, better, sir. You lie. Draw, if you be men. Gregory, remember thy. Benvolio draws his sword and approaches the fighting men. Part, fools, put up your swords; you know not what.

What, art thou drawn among these heartless hinds? Turn thee , Benvolio, look upon thy death. I do but keep the peace. Put up thy sword,. Or manage it to part these men with me.

What, drawn and talk of peace! I hate the word,. As I hate hell, all Montagues, and thee. Have at thee, coward! More noblemen and servants from both houses arrive and join in the fighting. Then a number of other citizens armed with clubs and spears appear on the scene. Finally a police officer shows up. Clubs, bills , and partisans! Strike; beat them down! Down with the Capulets! Down with the Montagues! What noise is this? Give me my long sword, ho!

A crutch, a crutch — why call you for a sword? My sword, I say! Old Montague is come,. And flourishes his blade in spite of me. Thou villain Capulet. Thou shalt not stir a foot to seek a foe.

Rebellious subjects, enemies to peace,. Profaners of this neighbour-stained steel —. Will they not hear? What, ho! You men, you beasts. That quench the fire of your pernicious rage. With purple fountains issuing from your veins —.

On pain of torture, from those bloody hands. Throw your mistemper'd weapons to the ground. Three civil brawls bred of an airy word,. By thee old Capulet and Montague,. Have thrice disturb'd the quiet of our streets,. And made Verona's ancient citizens. Cast by their grave beseeming ornaments ,. To wield old partisans in hands as old,. Canker'd with peace to part your canker'd hate. If ever you disturb our streets again,.

Readers of the play generally focus on the two great noble families, as they should. The things servants say often change the way we can look at the play, showing that while the Montagues and Capulets are gloriously tragic, they are also supremely privileged and stupid, since only the stupid would bring death upon themselves when there is no need for it. The prosaic cares of the lower classes display the difficulty of their lives; a difficulty that the Capulets and Montagues would not have to face were they not so blinded by honor and hatred.

In the figures of the civil watch and the Prince, the brawl introduces the audience to a different aspect of the social world of Verona that exists beyond the Montagues and Capulets. This social world stands in constant contrast to the passions inherent in the Capulets and Montagues.

For example, look at how the servants try to attain their desire while remaining on the right side of the law. After the Prince institutes the death penalty for any who disturb the peace again, the stakes for letting private passions overwhelm public sobriety are raised to a new level. Finally, this first scene also introduces us to Romeo the lover.

But that introduction comes with a bit of a shock. In a play called Romeo and Juliet , we would expect the forlorn Romeo to be lovesick over Juliet. But instead, he is in love with Rosaline.

Who is Rosaline? The question lingers through the play. In this way, Rosaline haunts Romeo and Juliet. Ace your assignments with our guide to Romeo and Juliet! SparkTeach Teacher's Handbook. Do Romeo and Juliet have sex?

Is Juliet too young to get married? Why does Mercutio fight Tybalt? How does Romeo convince the reluctant Apothecary to sell him poison? Who seems less impulsive and more realistic—Romeo or Juliet? Why does Friar Lawrence decide to marry Romeo and Juliet?



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